Wednesday, 29 November 2017

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Within my music video I will feature the daily journey of a man that struggles with his emotions which reverts him into a lonely and troubled person. The footage will change and fit to the music, the story line changing and moving forwards within the different sections of the music. The clips will be filmed using two techniques; using a tripod and hand held. Using the tripod will enable me to capture still and static shots where hand held shots will enable me to move and focus the camera onto my characters face which begins to break the fourth wall where the audience will begin to feel as in they are also part of the music video.

 The mood board below shows the style and atheistic of the character I will film in my video.



 The photos that I researched follow the general narrative I want my music video to take. The use of water shows a mixture of meanings; the stillness of his thoughts, loneliness and torment. The other representation of water is cleanliness and, metaphorically, may represent the wanting of a clean conscience or to clean the bad thoughts. The bare back shows the raw emotion the character feels, it will also fit in with the narrative I will be creating of following the character through his daily routines. Similarly to this, the long coat and casual jumpers will be used when the character goes outside and to also symbolize the changing and overlapping days which will insinuate the repetition of his everyday life. The contrasting shots of the character outside will be made by shooting him in the dark struggling with his emotions. The written words show the process of his thoughts physically and will make the music video have a clearer narrative rather than a range of interpretations to what the film may mean or represent.

Monday, 27 November 2017

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I wanted to create a timeline analysis of Sia's 'To Be Human'  because her footage can create a context for my own music video. Within her video it features clips from a film. These clips are organised in a way to create their own film and this is something that I wanted to touch on in my music video. Along with this context these clips both contrast and appose one another, not only does the lighting signify the change in area and time in the storyline, but it also falls back onto itself, repeating the same moment captured before the man goes to war, creating a non-linear storyline. This could suggest that it is the final time the main soldier spends with his lover before something inevitable will happen.
The music video opens up with a mid close up low angle shot on the mans face, cutting between that and an over the shoulder/ dirty mid shot of the same mans face in a convocation with his partner. The two clips contrast with one another, a 'before and during' the war appearance. The second time the camera switches to the first shot, the man is crying and then, for the first time the camera shot moves to his POV showing the woman he is talking to. The woman in this shot also begins to cry, a similar act happening between that shot and the previous one creating a mirroring effect and an emotion connection between the two characters. The camera also focus' on the mans face between the two shots, illuminating the colour of his eyes. The before and during shots of the war change the scenery around him, his appearance changes from clan to ragged but his eyes still stay the same.
The whole music video has a green-tint, this can have negative and dingy connotations associated with the different settings the film clips were shot in (urban, underground, abroad carnage; semantics of war).

0:00- mid close up low angle shot (dark colours)
0:03- over shoulder/ dirty shot (bright colours, looks clean)0:06- back to first shot (a before and after affect from the war)
0:09- over shoulder facing woman (same position as first shot but from males side)
0:10- cuts to first shot0:11- same as second shot, woman reaching for mans face, clips cut jaggardly to her hand moving up the side of the face (images synchronised with music)
0:17- mid shot (dark, light back ground, slightly slow motion)
0:21- close up (focus moves from mans face, blurs then focus' on background follows what the man is looking at)
0:24- wide shot, silhouette clean shot, foreshadowing that woman will drown in water
0:28- mid shot pans following man walk light in front of him 
0:35- high angle mid shot slowed down pans up following the men walk away
0:47- high angle pans closer to running man and follow him 
0:56 low angle extreme close up pans up to see the view the man can see moves over his head 
1:08- low angle close up 
1:10- mid shot side of man silhouette show motion pans into wide shot 
1:23- mid shot close up 1:29- wide shot pans to mid shot
1:34- close up 
1:41- low angle up towards light, follows movement from lady's eyes 
1:43- close up of woman
1:45- mid shot 
1:57- close up on letter, light on front
1:58- close up 
2:14- everything becomes reversed
2:21- back to second shot, over shoulder mid shot
2:24- close up 
2:29- mid shot (hand held)
2:45- everything reversed again, running backwards 
2:47- wide shot
2:59- long shot
3:09- long shot (same position as last shot)
3:13- close up high angle
3:19- close up (repeated location)
3:22- wide shot
3:33- low angle close up
3:36- mid shot, water goes over lens (audience goes under water too)
3:40- high angle? Or in water with woman, mid shot
3:46- close up (turns into a dirty shot a hand intercepts shot to take away letters).



Thursday, 23 November 2017

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The mood board above highlights the conventions of pop/ soul music. I intend on using some of these ideas within my non-linear story line for my music video. Inspired by the lyrics from Lewis Capaldi's song 'Bruises', I linked my interpretation of what the song lyrically means and what the representation of love and self hate means. The idea of water is to clean the body, I intend on using this metaphor to reflect the mental health of my character by them attempting them to clean themselves of the bad thoughts.


I included pictures of people walking away from one another and someone singing in a spot light to reflect the loneliness that appears through the lyrics in 'Bruises'. This will also be mirrored in my story line because I want to create a narrative hat is influenced by the music so that my footage and song fit perfectly together. The picture of the piano stands for the style of music and the beauty that it represented through the meaning behind the song.

Monday, 20 November 2017

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Choosing a location for my new narrative:

For my final music video idea the location settings have changed. The narrative follows a young man in emotional turmoil, being affected by society and the pressure of deadlines, never feeling like he can be himself. 
The video will follow the character through his daily life, shooting multiple shots doing the same movement, but wearing different clothes. I will overlay the shots and change the opacity. The camera and chair will be kept in the same place and will connate a distortion in time. I will then follow the storyline with my character wearing one of the tops (from another day) from that scene through the rest of the storyline to show a change in day and the repetition of his actions. To correlate  this action I will over lay and mimic the idea for other actions. He will put his hand on a wall and I will re shoot this action multiple times and overlay it to create a mimicked and repeated movement, a possible level of OCD.
The first location is filmed within a bathroom with a big mirror, capturing his reflection and shooting multiple 'dirty' that will represent the inner turmoil he is feeling. I will follow him into the kitchen and out of the front door, standing and waiting. I will then overlay another shot where he will be standing in the same position but surrounded by traffic, this will create a contrast between the quiet and the loud surroundings but still showing that he is alone. One of my ideas is to portray a distortion of time. I do this by changing the opacity of an overlaying shot with the man standing in the bathroom and then another with him outside, the contrasting elements will portray the duration of time. He will then be followed by the camera in the same angle but in different locations. I will cut between the shots and create one movement of my actor walking forwards while his surroundings will change, this will portray his need of wanting to fit in and to signify his loneliness and separation of society.


Thursday, 16 November 2017

Monday, 13 November 2017

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Thursday, 9 November 2017

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Monday, 6 November 2017

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A change in Music Video ideas

Since the post I have changed all three of my music video ideas. I had also chosen to change the song I will be filming to, which enabled me to become more receptive towards other possible ideas. Linking back to my film influences: 'To Be Human' by Sia and 'Dusk Till Dawn' by Zayn Malik featuring Sia, I wanted to structure my footage and editing in a similar way the producers for the two music videos had. 
The similarity between the two is that they are both made to look like short film. Though the footage filmed for the music fits, they both have a beginning, middle and end, a structure more popularly known for footage that has a clear narrative and story line, that may have an underlying message, compared to the most recent Pop music videos like 'Bon Appetit' by Katy Perry. By choosing a different style and type of music I believe that I will be able to structure my new music video idea around a meaningful and underlying problem within society that needs to be addressed.


Within the mind map I present my ideas in a clear and structured way, by using a visual outlet to see my ideas I was able to develop and ask questions related to the possible filming ideas that I have. My base idea is that my film narrative should bring to light something that the media suppresses. I wanted to focus on the medias representation of men because social media, and media in general is an outlet where as receivers we gain and spread information, keep in contact with others and is a forum that we also learn from. When a topic is not addressed through such a huge outlet which most people rely on to gain information and use to express their own beliefs (this can be shown by polls and trending hash tags to bring awareness to a topic or to how support) and a topic is never mentioned, it begins to suppress a huge majority of people and makes others unaware of it. By creating a specific narrative for my music video I will address a wide audience and surface the lacking support men are receiving for emotional help.



In this video, a clip from Jeremy Kyle's show, the audience laugh when the man on the show had to jump off a three story building because his 'domestic' partner had locked him outside on their balcony. The response from the audience shows the outlook society has when men are belittled and lack the emotional support they need. Kyle rightly supports the man and said that if it were a woman who had to do jump from a building to escape they wouldn't be laughing.
The stereotypes associated with male dominance over-rules the underlying emotional support men also need.




Thursday, 2 November 2017

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This edit enabled me to develop my editing skills by using two sets of footage to make this music video. Within my previous edits I had created a narrative only using shots from one location. For my final idea I plan on using different footage and locations to create a travelling story line, this will be expressed through both stationary and moving shots. I used the footage I filmed previously of a dancer and clips from an interview with a boy to create this music video, I wanted to create a merged connection between the two men. Following the male gender I explore the weaknesses and strengths they both feel which is represented through the strong and expressive movements made by the dancer and the emotionally bound boy which is sat still in the interview. The juxtaposing movements express the image that society wants to see compared to the emotions the male may actually be experiencing. The story line is woven together by the similarity and unity of the contrasting stillness and movement.



Wednesday, 1 November 2017

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In this clip a fellow student gives her preference of which music worked best for the footage originally filmed to 'Beautiful People' by Christ Brown to a new song 'There For You' by Martin Garrix.


I decided to film a visual feedback on the two video edits I made from the two music video edits because it provides a personal and engaging interaction between the viewer and the speaker. It allows me to compare the two edits and to either add additional clips or change the narrative slightly. I learnt that I needed to make my narrative clearer, a concept that fits with Stuart Hall's Reception Theory. With more footage and re-arranging my clips I will aim to make a clearer narrative for my music video.



Why would I use technology to provide Audio-Visual feedback?
  • More personal and conversational in nature
  • Conveys tone which can add additional context and meaning
  • Additional cues from body language if you are recording yourself
  • Contextualised by displaying and highlighting part of the students work
  • Alternative medium to text which some learners may prefer
  • Many people can talk more quickly than they can type saving them time when generating feedback
https://www.derby.ac.uk/about/learning-enhancement/learning-teaching/assessment-feedback/feedback/audio-visual/