Showing posts with label Music Video Analysis. Show all posts
Showing posts with label Music Video Analysis. Show all posts

Monday, 27 November 2017

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I wanted to create a timeline analysis of Sia's 'To Be Human'  because her footage can create a context for my own music video. Within her video it features clips from a film. These clips are organised in a way to create their own film and this is something that I wanted to touch on in my music video. Along with this context these clips both contrast and appose one another, not only does the lighting signify the change in area and time in the storyline, but it also falls back onto itself, repeating the same moment captured before the man goes to war, creating a non-linear storyline. This could suggest that it is the final time the main soldier spends with his lover before something inevitable will happen.
The music video opens up with a mid close up low angle shot on the mans face, cutting between that and an over the shoulder/ dirty mid shot of the same mans face in a convocation with his partner. The two clips contrast with one another, a 'before and during' the war appearance. The second time the camera switches to the first shot, the man is crying and then, for the first time the camera shot moves to his POV showing the woman he is talking to. The woman in this shot also begins to cry, a similar act happening between that shot and the previous one creating a mirroring effect and an emotion connection between the two characters. The camera also focus' on the mans face between the two shots, illuminating the colour of his eyes. The before and during shots of the war change the scenery around him, his appearance changes from clan to ragged but his eyes still stay the same.
The whole music video has a green-tint, this can have negative and dingy connotations associated with the different settings the film clips were shot in (urban, underground, abroad carnage; semantics of war).

0:00- mid close up low angle shot (dark colours)
0:03- over shoulder/ dirty shot (bright colours, looks clean)0:06- back to first shot (a before and after affect from the war)
0:09- over shoulder facing woman (same position as first shot but from males side)
0:10- cuts to first shot0:11- same as second shot, woman reaching for mans face, clips cut jaggardly to her hand moving up the side of the face (images synchronised with music)
0:17- mid shot (dark, light back ground, slightly slow motion)
0:21- close up (focus moves from mans face, blurs then focus' on background follows what the man is looking at)
0:24- wide shot, silhouette clean shot, foreshadowing that woman will drown in water
0:28- mid shot pans following man walk light in front of him 
0:35- high angle mid shot slowed down pans up following the men walk away
0:47- high angle pans closer to running man and follow him 
0:56 low angle extreme close up pans up to see the view the man can see moves over his head 
1:08- low angle close up 
1:10- mid shot side of man silhouette show motion pans into wide shot 
1:23- mid shot close up 1:29- wide shot pans to mid shot
1:34- close up 
1:41- low angle up towards light, follows movement from lady's eyes 
1:43- close up of woman
1:45- mid shot 
1:57- close up on letter, light on front
1:58- close up 
2:14- everything becomes reversed
2:21- back to second shot, over shoulder mid shot
2:24- close up 
2:29- mid shot (hand held)
2:45- everything reversed again, running backwards 
2:47- wide shot
2:59- long shot
3:09- long shot (same position as last shot)
3:13- close up high angle
3:19- close up (repeated location)
3:22- wide shot
3:33- low angle close up
3:36- mid shot, water goes over lens (audience goes under water too)
3:40- high angle? Or in water with woman, mid shot
3:46- close up (turns into a dirty shot a hand intercepts shot to take away letters).



Monday, 13 November 2017

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Friday, 8 September 2017

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The pictures attached above show my annotations of the lyrics from 'Beautiful People' by Chris Brown. I wanted to break down the lyrics to understand the hidden and obvious meanings portrayed through metaphors, personifications and exclamarative text.
I have already analysed the music video through a timeline analysis, which has helped me to understand the type of shots used for the music video, which are also a depiction of what the lyrics mean and help me to see the running themes used so I can chose which ones to follow through with in my own music video and other not to use. 
The lyrics work along with the beet of the music, with 'Oh whoa...' and 'Don't you know know know' repeated a lot through the lyric script which is something I can use to my advantage and, with possible footage filmed along side this music, can play off of the beet and lyric change.


Thursday, 7 September 2017

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SKIN: RAG AND BONE MAN


When I heard that sound
When the walls came down
I was thinking about you
About you
Someone screaming and the person heard it, made them cry of realisation  

When my skin grows old
When my breath runs cold
I'll be thinking about you
About you
When I'm about to die, I'll still be thinking about you, someone they love

Seconds from my heart
A bullet from the dark
Helpless, I surrender
Shackled by your love
Bullet is metaphor of love. Love hurting his heart like a bullet would. 

Holding me like this
With poison on your lips
Only when it's over
The silence hits so hard
'Cause it was almost love, it was almost love
In a love
It was almost love, it was almost love
Poison is blood or something that'll make him fall in love, alcohol. Silence so hard, realise that what you have around you all the time and love when disappears it then means something. Romeo and Juliet
  
When I heard that sound
When the walls came down
I was thinking about you
About you
When my skin grows old
When my breath runs cold
I'll be thinking about you
About you

When I run out of air to breathe
It's your ghost I see
I'll be thinking about you, about you
When you run out of air you begin to see illusions 
It was almost love, it was almost

We bleed ourselves in vain
How tragic is this game?
Suicide, cutting? Or draining themselves of love by being with other people

Turn around(declarative), I'm holding on to someone
But the love is gone
Trying to be with someone else but still love other person, not the same

Carrying the load, with wings that feel like stone
Knowing that we nearly fell so far now
It's hard to tell
R and J thing? Metaphorical for the wrong things they've done, instead of flying with wings they drag them down, guilt

Yeah we came so close, it was almost love
It was almost love, it was almost love
When I heard that sound
When the walls came down
I was thinking about you
About you

When my skin grows old
When my breath runs cold
I'll be thinking about you
About you

When I run out of air to breathe
It's your ghost I see
I'll be thinking about you, about you

While I reached out for your hand
When the walls were caving in
When I see you on the other side

We can try all over again
When I heard that sound
When the walls came down
I was thinking about you
About you

When my skin grows old
When my breath runs cold
I'll be thinking about you
About you
When I run out of air to breathe
It's your ghost I see
I'll be thinking about you, about you
'Cause it was almost love, it was almost love
It was almost love, it was almost love
Romeo and Juliet Bazlemens

Thursday, 24 August 2017

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0:00- full shot (hand held, moving with people in frame. People side on)
0:16- wide shot (darker lighting, people front on)
0:20- wide shot (shot showing people side on)
0:24- mid shot (bright lights, in studion, camera pans from right to left)
0:27- full shot (minimal lighting)
0:33- mid close up (3rd location, shadows)
0:41- low mid shot (bright lighting, 4th location)
0:45- close up (camera moves forwards, DJ, neon)
0:47- wide (croud)
0:48- full shot
0:53- over sholder mid shot
1:01- mid high angle
1:03- mid close up
1:05- over shoulder shot
1:08- full shot, low angle (on stage, zooms in quickly at end of shot)
1:11- mid close up
1:16- fish eye
1:19- wide shot
1:20- mid close up
1:23- long shot
1:26- mid shot
1:30- full shot
1:34- mid shot
1:37- over shoulder, mid shot
1:41- mid wide shot (DJ)
1:44- full shot
2:00- close up (capera is unstable, zooming in and flashing lights)
2:04- mid/ close up (darker, in car)
2:05- mid shot
2:07- close up
2:19- mid shot
2:40- mid/ wide shot
2:43- mid/ close up (in car, flashing lighy in time to beet of music)
2:46- long shot
2:54- mid long shot
3:01- mid shot (hand held)
3:25- long shot (croud)
3:28- mid shot
3:34- long shot (croud)
3:37- wide shot (Chris walks out of frame, dips to black)